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  This is the first volume of a series called « Raw Field Recordings ».The sonorous saturations and effects were caused by the acoustic caracteristics of the spaces I found and the microphoning method I used when I was making these field recordings between August and September of 2004 during a tour in Argentina.
  
  I did not add any effects during the editing and mastering process of the first four tracks, except for a light equalization, some minimal cuts and a selection of parts. All was taked with a Mini Disk recorder.
  
  A first version of this release was previously published as « Antiturismo : Habitacion en Buenos Aires »(O8/2010) by the Netlabel « Sudamérica Electronica ». This new definitive version was re—mastered and re—titled to be published by Uzusounds.I added as a bonus track a live recording I made on March 19, 2011 in Nantes. It is an improvisation generated with an automata—sampler I programmed on Pure Data to which I added the track 04 « Metros aires » in order to have it processed by it.
  
  Edited and mastered in Lima, Mexico D.F.,Paris and Nantes at different moments between 2006 and 2011.
  
  The title is a reference to the collection of poems of Jorge Eduardo Eielson named « Habitacion en Roma » and also a reference to the bizarre experiences the poet lived in a parisian room, which motivated him to write the poem « PTYX ».
  
  Chrs. Galarreta, Nantes 07/2011.
  
  Includes unlimited streaming of Raw field recordings I : Habitacion en Buenos Aires via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ... more
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• Full Digital Discography

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  Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Raw Field Recordings II : Electromagnetic Detritus, The҉ Śun ͟Rem̷ai̸ns ̛T̀he S͘am̀e̵, And The Voice Became Space, Lo que sea por mi destruccion, Invisible Architecture II, Noika Koita I, Noika Koita II, Raw field recordings I : Habitacion en Buenos Aires, and 9 more. , and , .

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